​Progressing, Taking to the Next Level

If you look back and read some of our previous posts, we mention how it’s so important to determine your goal. While this is the first step, sometimes it’s difficult to figure out what the next step is, the one after that, and so on.

The path varies immensely from artist to artist, but it should always be one that is growing and expanding, rather than staying stagnant or falling behind.

After you’ve been writing, playing shows, releasing your music, touring a bit, building online and building a fanbase, it is also super important to stop at times to asses which goals you’ve met and the progress that’s been made. This will help you figure out the next step. Just because you made one main goal, doesn’t mean you can’t consistently make new ones! And doing so will only help you achieve more of them.

One of the most challenging things for artists or bands is to stop and see things from an outside perspective. To be able to observe yourself and your product constructively is a very valuable skill. This needs to be done in order to make changes and to asses what’s working and what’s not. It’s also important to asses that everyone (if in a band) is on the same page with goals - that way the band can move forward as a unit.

If you begin to realize certain songs aren’t going over with your crowds, you’re not seeing any growth online or you feel a lack in enthusiasm from your band mates, maybe it’s time to look at what needs to change for everyone to feel re-inspired again. Some bands change their look with each album cycle, some change genres even, and some just change their haircuts - either way it’s about establishing something new and fresh that keeps yourself and others interested.

Sometimes putting yourself in front of different crowds can re-inspire you or take your music to the next level. Try playing a venue that is out of your comfort zone, put together a new type of live show or relating more to your audience between songs. Utilize technology and go “live” on a social platform and get feedback on new songs. Take a look at social media numbers & seeing who and what fans are actually coming to shows, returning and engaging with you. Also, maybe asses whether or not you’re taking enough risks - send out some music to some industry folks (Management, booking agents, labels etc.) if that’s a direction you want to go in. Whatever it is - in order to keep growing and achieving your goals, you are going to need to push your comfort zone and challenge yourself!

Tips:

⁃Try writing a song about something entirely new, or on an instrument you’re not familiar with to get new sounds.

-Try writing one song a week if you really want to up your writing skills.

⁃Don’t stray away from taking a moment to look at things and assess where you’re at - it may be hard in the moment, but in the long run you’ll be glad you did.

⁃If you feel a lull or a feeling of boredom, it may be because it’s time for the next challenge and it’s time to change things up a bit. Don’t be afraid to experiment with new sounds or collaborate with other people. It could actually help push you along further than you’d imagine.

⁃Take polls - ask your audience their thoughts on their favorite songs or shows of yours, see what resonates and why they connect with what they do - then focus more on those aspects of your music and brand.

⁃Writing down your visions helps make them a reality.

⁃Reach out to some dream venues of yours or a favorite touring act that’s coming to town that you want to open for - pitch to the booker why you should open and see what happens.

⁃Make sure your online content is strong and engaging, and that you demonstrate a positive outlook and vibe with your posts, it will bring more positivity.

​Connecting With Fans

Aside from the fulfillment you get from playing, this is the whole darn point!

Biggest tip: If you’re looking to play professionally and make a living doing music, you have to get over any fear regarding self-promotion, inviting people to your shows, introducing yourself to strangers, asking people if they want to sign up for your e-mail list, and talking to people at your merch table.

The other important thing to recognize is that we’re in a new era and not only at your shows should you be talking to people, but nowadays it is so important to be active on social media and connect to people and your fans.

Your fans will find a reason they connect with you and your music - this is what brings them out to your shows and keeps them listening on their own time. This will happen naturally but you have to keep that connection in tact! It’s your job to keep the give-and-take going… at shows, on stage, off-stage, and online through social media and e-mail.

Engagement is a huge reason why so many creative, influencing people have a lot of followers. They are not selling to their fans all the time - they’re maintaining their viewer’s interest and entertaining them consistently.

As the numbers grow, it can become more difficult to keep in touch with each one individually, but you don’t have to do this all the time - set up meet and greets after your shows if there are people who want a signature or photograph - get in touch with local record stores and see if they’d let you do an in-store signing day of your record release. Talk to people at your shows, go to the merch booth, engage with the audience between songs, and give them time to clap after songs, it’s their way of responding to you.

Tips:

⁃Unfortunately there’s not always enough time to respond to every single person who reaches out online (it can be overwhelming if you have a large following, or if it’s growing rapidly) ...You are not obliged to respond to anything (especially with the online reach these days, people can sometimes demand attention or write tons of messages) but there are ways to do posts where you can acknowledge your fans as a whole.

⁃Keep your fans engaged/interested by being spontaneous, on-stage and off.

- Come up with social media ideas that involve them or are really fun and entertaining.

⁃Your fans are a good portion of the reason why you’re able to play shows and sell your product - don’t take them for granted.

⁃Be active anywhere you can on social media to stay in your fans feeds and to stay on their minds.

⁃Give your fans the opportunity to help you - some would be so excited to be part of a street team, promoting shows or hanging up fliers in their hometown, and reward them where you can.

⁃Come up with a clever name for your followers - here are some examples: Katy Perry: KatyCats, Lady Gaga: Little Monsters, Justin Bieber: Beliebers, etc. etc.

Promoting a Show

In reality, nearly every musician dreams about playing a show to hundreds or thousands of people so they can do what they do best, perform and play to a sold out crowd. Rarely does something like this happen quickly (not saying it can’t), but most artists and bands will need to start out one fan at a time by personally inviting family, friends, co-workers and online fans to their events.

You’ll need to get creative in finding ways to get people to come out to shows, especially if no one knows your band yet! Either way, there are a million ways to promote a show and here are a few suggestions to start:

- Create a Facebook event three weeks to one month ahead of the day of show - further in advance if it’s a record release to maximize visibility.

- Invite your friends from that city - you can search in the facebook search tab “friends of mine in _______” and fill in the city your show is in. Sending a personal message helps, or texting them to see what they’re up to that night.

- E-mail is great and everyone checks theirs pretty regularly. Utilize this and start an e-mail list - let people sign up to get updates and important show details. They can sign up online on a website or by a sign up sheet at your merch booth.

- Create a poster or online flier (one that all the bands can share on social media that is eye-catching and relevant) *no later than a month in advance* as well as physical copies you can drop off at the venue for them to hang up.

- Print up small handbills of your poster and go to local shows and distribute them to show-goers. You can also leave these at some bars or rehearsal space bulletin boards.

- During the weeks prior to your event, go to the venue as well as other local venues and see other bands playing. Introduce yourself to the people at the show and invite them to the show.

- Be thorough in the show information online and on posters - other bands playing, door opening time, show start time, set times for all bands playing and order of bands, age restrictions, location, etc.

- Don’t be pushy

- See if you can sell tickets in advance and give people a cheaper option than purchasing tickets at the door

- Get some friends on the list for free if you have a guess list - usually a band will be given 4 or so guest spots, sometimes more, sometimes less.

- Engage with your audience and do some sort of ticket giveaway or contest

- Set goals for yourself/your band on hitting particular crowd numbers for growth

It is important to not be afraid of self-promotion. This is a common fear amongst musicians and people who have lots of stuff to promote! And most of the time, people want to know! You’re gonna have to if you want people to show up. Let people know where you’re gonna be and why they should come - do you have new songs you’ll be playing that you haven’t yet? Do you have a new look? New album out? Songs people wanna sing and dance to? A one-time collaboration happening on-stage? Make it interesting and show people you are interested in your show. Make frequent posts about it, not just once, but many times, because people forget and because repetition sticks in people’s minds!

Most importantly, be creative and thoughtful in inviting people out. It’s great to speak to the masses online, but people find it exciting and more meaningful if you reach out in a more personal way. Then eventually you will find ourself infront of those 100 people you imagined in the first place!

Merch (physical and digital)

Before you even consider going on the road touring, you might want to consider asking yourself who are you and what is your product? Aside from your amazing live show, what are you supporting? What is the product you’re selling? If you want to expand your fanbase and your connection to them -  both show goers and fans on social media, you will want to have something to sell that they can buy. Once you start touring it’s going to be a MUST - especially because selling your merch product will help pay and sustain your life on the road. Your merch is so important!

Merch is the music recorded onto CDs, vinyl, or cassettes that represent your brand. It’s download cards, t-shirts with your band or name, buttons, stickers and other thoughtful items with your art and logo. Things that someone who enjoys your music would want to purchase and bring home with them. At shows there will usually always (with the exception of some benefit shows) be a spot for you to sell your merch. If there isn’t, bring a table and make your own! Or at the venue ask someone who works there where you can set up your merch.

When it comes to creating merch, think about what would make the most sense for your band to sell. Do you have songs and have they been recorded? Putting them into a physical form would probably generate sales! Along with having your music easily accessible for sale in the digital form online (via digital distribution that can be released through Tunecore or CDBaby or http://Bandcamp.com for example). Shirts are another important part of merch displays as people love wearing them and buying new ones. Sometimes even if a person doesn’t know your music but the design is cool and it translates to them, they will buy it! If you have a band logo or image that represents your music, or even a saying, or a drawing, consider putting this on your product. You can screenprint, find local shirt printing companies, or even paint your own that you can sell (suggested price is somewhere between $10 and $20). You can even look into wholesale shirt companies to buy them in bulk at a cheaper price per unit.

*tip: the fashion / merchandise districts in cities often have wholesale t-shirt businesses. They might even work with local screen printers too, that they can put you intouch! Even consider going to thrift stores & getting cheap one-off tees & printing on them.

Think of some clever items that you could sell that wouldn’t be necessarily expected. Sometimes this can generate a lot of interest from people stopping by your merch table. Think: necklaces, bracelets, lighters, scarves, bigger buttons, patches, bags, sunglasses, hats, one of kind jackets etc.

*Tip: It is also helpful to have some form of merch that everyone can grab for free - in most cases this is either a sticker or a small button. These items don’t cost too much money to make, and everyone loves something free.

Once you’ve got a few physical merch items to sell, consider making an online merch store so people can order products online and have them shipped when there not able to make it to your shows. This is not difficult to set up!

*Tip: Squarespace.com offers great sites that you can customize and add a commerce section to. Facebook also offers a section on Music Pages and there are also a lot of other independent companies where you can sell merch. Once you have a site displaying your products, making posts about your online store can generate more sales and interest. Making one of kind or limited edition merch items can also get people excited to buy something that is unique and rare!

Helpful Tips:

-cost of a one color design t-shirt run of 32-40 shirts could cost you between $250-300. Sometimes there’s an additional screen fee for t-shirts added in the cost or on top of costs usually running $15-30

-cost of vinyl could run 200 LPs for close to $2000 & cost of 100 tapes could cost close to $200

-Some suggested for sale pricing (depending on design & cost to make): Buttons ($1-$5), Stickers (free or $1-5), CDS ($5-15), Tapes ($5-10), Vinyl ($20-30), 7” ($5-10), One of kind items $25-100 (like a jacket or bag), patches ($1-5)

⁃Keep your merch in line with your image, colors, and sound

⁃Keep an inventory of your merch so you know what you have and if you’ll need more

⁃Make note of the most popular items, and restock once it gets low

⁃When you’re setting up merch at a show, keep in mind other bands have merch too, so don’t take up all the space!

⁃Don’t be afraid to push your merch - at the end of the day, merch is what fuels and funds a lot of bands

⁃Don’t always go the cheapest way out if you don’t have to - invest in quality shirts and items, and people will be more likely interested

⁃Charge more than what it costs you to make the merch

⁃Keep the merch organized and know where everything is, where each size shirt is, so it makes selling quicker and easier

⁃Don’t leave vinyl in a hot car! They WILL warp

⁃If your vinyl does warp, consider making arts and crafts with it that you can sell (clocks, bowls, hats, be creative!)

⁃http://www.printrunner.com & http://www.stickerguy.com are great and cheap for quality stickers in bulk of various sizes and shapes

-http://www.halfpricebuttons.com offers great custom button

-http://www.hollywooddisc.com offers great pricing on CD manufacturing

-http://www.rainborecords.com for vinyl

-Bringing your own lights or lamps for your merch display is always a good idea! (wireless is always easier)

Routing a Tour

When you first go to plan the routing of a tour, it is important to take these factors into consideration and to first ask yourself a few questions to define the tour.

What is the purpose of the tour?

Are you releasing new music? Did you just release a single or record and want to support the new release? Are you playing a great festival or show in the middle of the country or in a big city that’s great exposure and great pay? It might make sense to turn the trip into a tour instead of flying there. Are you just looking to expand and play regionally as well as gain new fans? Or are you just looking to play and get paid gigs? Whatever it is, try and define that first with your band so when it comes to finding venues and cities you are looking in the right place!

(Photo: Jenny Bergman)

What vehicle are you using and how long is your tour?

Is your car or van in good enough shape to take you where you need to go? Is a rental a better option? And if it is, is it in your budget? Sometimes when you’re first starting out touring it might be best to consider just getting your feet wet with a few week-long runs with your band before diving into a full few weeks or month. That way you can build up to something bigger and you won’t go out of pocket too much if you’re just figuring things out! No matter how long you are going out on the road for, make sure that your car has passed inspection and that you can rely on it to get you where you need to go safely!

What is your target market?

Once some of your goals are defined, decide who you are playing for. Which cities do you think your music will go over well and where do you want to start to build a fanbase?

Music scenes all over the U.S. grow and change on a regular basis, but it’s important to keep in mind which part of the country you’ll be playing to and what type of music is mostly focused on in an area or venue. It will vary all over, but you can research the cities you’d like to play in and see what’s going on at the local music venues through the venues’ facebook page calendars or websites. You could also look up bands or artists you feel are similar to you and see the venues they play. Also consider asking other friends’ bands or artists who tour what experiences they have had.

*Make sure that if you’re focused on playing a specific bigger city that you aim to play there on a Friday or Saturday night as these are the peak show times! Try to keep larger cities on the weekends and the smaller towns in between.

*TIP: http://indieonthemove.com is a fantastic database of venues by city and state. You can also define the search by seeing the music genres that the venues host.

What is your budget and have you set a target amount that you will be getting paid or making per show?

Sometimes when you’re first starting out, you won’t get a guarantee from the venue. In some cases you will have to play a market a few times, and show consistent promotion for a door cut, bar %, or tips to gain fans. At times you will have to rely on merch sales when you are starting out! This can be such a great savior! Your two CDs and three t-shirts sold will pay for gas and food in a new place. Sometimes coffeehouses, bars, restaurants, and breweries will pay more and give bigger guarantees than a venue in a big city. The smaller town markets between the bigger cities can sometimes be overlooked, but will often host music, be a perfect stop in between two major cities, and can really help bring in larger amounts of money than a show in the big well-known cities would. This is often because they may have a budget for giving artists a guarantee or a good bar %, and you won’t be relying on bringing in fans for a cut of the door.

When you’re first starting to tour, it’s good to establish the worth of your performance. How much do you get on a regular basis when playing your hometown? How many people are in the band and how much will you need to get to the next city? It’s important not to undersell yourself but not to charge too much either. If you are new to a market, just know you will have to play the city a few times to help establish. Consider it an investment if you plan to tour a lot. If you’re basically beginning in a new place and can coordinate with the booker, always ask and see what they can offer you as far as a bar %, door %, guarantee, food/drinks, lodgings, etc. Often venues will feed touring artists too! So always check.

(photo: kribbean at 'Roll & Roll Hotel' via TripAdvisor)

Will you be staying with friends/family or at hotels?

If you are traveling to a place where you have friends or family, see if it’s possible for you or your band to crash with them for a night. More likely than not, they’ll be excited you’re in town and will want to come see the show and let you crash if they have the space. Offer them some merch or a guest list spot in return! If you’re staying at hotels, a lot of them offer deals and express deals through http://Priceline.com. It’s possible to get a motel or a hotel for as cheap as $25 a night in some cities!

(Photo: Vanessa Silberman on tour with Jimmy Dias of The Love Dimension)

What is the distance between cities/states you are traveling?

It is helpful to look on a map when routing a tour, and to keep in mind the lengths of your drives and the distances between your shows.

*TIP: find out who in your band will be sharing the driving duties and calculate how many hours the band can do on a gig day (ex. 4-5 hours plus gas stops/food breaks/bathroom stops. Also consider cushioning a little time for traffic in bigger cities or any time changes to get you on time for load in and sound check).

It can be a challenge sometimes finding great gigs on weekday nights rather than weekends, but it IS possible!! Many venues around the U.S. book music seven days a week, and some that only book on weekends will sometimes make exceptions for touring artists. The closer you can get to a straight line or a circle without retracing steps and driving extra miles is going to be the most effective way to map out a tour and to make the most profit!

(Photo: Jenny Bergman)

Do you have enough time for preparation and booking?

Make sure you consider starting the planning of a tour 3-6 months prior to the first night of tour. It’s going to take time to align it so it is linear and so you can fill in all the gaps accordingly. If there are any gaps, say on a Monday that you just couldn’t find a venue for, try hitting up a local show and meeting some bands if you’ve got the day off. You could visit some open mics as well as record stores to see if they’ll put your music on consignment.

This site can tell you how much a route will cost in gas and tolls and also how far you’ll travel in miles according to your vehicle. It’s great for figuring out a budget plan and a route! https://tollguru.com/trip-calculator

With just a little bit of planning ahead and time you can route a great tour!

​Booking & Setting Up a Show

A lot goes into booking a show for an artist or band from start to finish. From rehearsing and coordinating to online and grassroots promotion, and from negotiating and communicating about availability to confirming other acts for the bill (whether you or your band puts the bill together or booker does - someone does the work).

The terminology regarding shows can sometimes be confusing for someone just starting out (words like: hold, load in, line check, draw, room cap, cover etc.). Bookers will often ask questions like “what’s your market history?” and “what’s your draw?” or “how many people can you bring out to the show?”

Here’s a brief overview of some terms:

Hold - Sometimes artists or agents will put a “hold” on a date when their working on routing / booking a tour and waiting for other dates to confirm so in that case venues will put you on “hold” if they have other acts who have reached out before you for the specific date you reached out for. Sometimes the booker will tell you have a second or third hold, and if the other bands who have that date reserved end up cancelling it, the night will go to you or your band.

Load-in: The booker will give you a load-in time for the show, this will vary from venue to venue, but will generally be about an hour before doors open. This is the time you bring your gear in and set it near the stage or onstage before the show.

Line-check: This is another word for “soundcheck” but it’s more of a quicker one right before the band plays. Rather than doing a full 20 minute or hour long soundcheck before the crowd gets there, often for headliners, the opening bands will just do a line-check and check their levels minutes before their set.

Draw: A draw is how many people you can bring to a show. A booker or venue will ask this so they can figure how many people will likely be there buying drinks, cheering you on, and paying the cover to get in. This could also determine a guarantee you’ll be paid, bar % or door deal you’ll get. Bars and venues rely on this draw sometimes to cover their expenses for the night (security, sound people, door people, bar tenders). They want to know that hosting you is going to benefit them.

Room cap: “Room Capacity” This is how many people the room/venue holds according to fire safety laws.

Cover: Door price /  Ticket price / How much it costs to get in.

A lot of people are involved in a live show. In addition to your band and the audience, there is usually a few other people involved: The promoter &/or booker, a sound person, a door person, other acts (that a promoter, band or you will have added to the bill) and the people who work at the venue.

First, the booker is who you’ll have to reach out to for a potential gig. This e-mail is usually listed on a venue’s website contact form.

Helpful Tips:

- If there are two different booker contact e-mails: local & national - email the most appropriate one

- Address the booker by their name if you see there’s a particular person

- Introduce yourself, your act or bands name (if you are one)with a brief paragraph & include a short description of your band / comparisons and that you’re looking to book a show

- Pick a few dates to send as options for booker (prior if you’re in a band make sure all members could do these days as possible options, some people may need to get off work or change their schedules)

- Include a link to any CURRENT single or album & some live video if you have available.

- Include you or your bands career highlights (like if you have been featured on any blogs, news papers, magazines or on any radio, tv) & where you have played in the area (list a few venues & locals acts you have played with)

- Include your contact info & social media links

The booker will ideally get back to you (usually within a few days but sometimes a couple weeks, if not, try e-mailing again/follow up. Try following up a week-10 days later) and let you know if the date is available or sometimes they will recommend other venues that may be a better fit or other possible dates if the one requested is already taken. If the date is open and your band is given the gig, the booker may ask you to find other locals acts to support the night. Local bands will help bring in a bigger crowd especially if you’re not from the area. If you’re booking a show outside of your hometown, it’s integral to get local supporting bands. You can find other bands on sites such as http://reverberation.com, facebook music groups, local music blogs to the specific city, venue website’s show calendars, and fliers other artists have hung up at venues or coffeeshops nearby. Also google searches can be helpful by looking up city names, band & genres tags. Sometimes bookers will also have a recommendation band list, so always ask incase they do!

Reaching out to other bands is similar to reaching out to the booker: be specific, be respectful, and include all the info in a clear and concise way!

Sometimes and ideally, a promoter or venue of a show or venue will help push this newly booked show out to online outlets and upcoming show listings. There won’t always be a promoter, but even when there is, it’s important to do your own promotion. There are many simple ways of getting your friends, family, and soon-to-be fans to your gigs. Sometimes venues, bars, coffeeshops, or houses that host events will have a built-in crowd but you can’t rely on this. That’s where online promotion and grassroots promotion come in! Once your show is booked and you’ve found other fitting acts to join the bill, make a flier and an event page on facebook and push it out to everyone you can! Give yourself a good month to promote and remind people, in person, and on social media.

Also ask the booker if they have a press list. Often they do! This can be helpful as they may have good contacts at local radio stations, blogs, and news outlets who you can email/reach out to help promote your show. Invite them to your show or ask if they can feature you, do an interview or live in-studio performance (radio) before the show to help get people out :)

Once you’re at your show, it’s important to know the door person’s and the sound person’s role.

The door person will sometimes tally how many people come into the venue and take the cover from anyone entering the show. The sound person will do the soundcheck/line check for bands, and ask you what your set up is. *Sometimes when booking (depending on venue, a booker will request you send an input list & stage plot for production so they know what to expect as far as your setup ahead of time).  They will want to know what you need on stage as far as instruments, microphones, and necessary cables, etc. to get the best sound. You can tell this person how high you want the levels in your monitors, and if you’re singing - whether you want reverb added to your voice or not. Don’t expect them to read your mind! They’re there to make it sound the best it possibly can.

At whatever level you are at, it doesn’t matter, you have to start somewhere! If you are just starting out just know even bigger artists who have been playing for years also have their own booking or show / touring struggles. So regardless of the level, hopefully this post and some of these suggested steps and tips might help making booking easier!

Additional Tips:

- http://www.indieonthemove.com is a great database for bands and musicians starting out looking to book their next gig. There are listings on this site of music venues all over the country, and they will even tell you how many people fit in the room, what genres they host, and who to contact to book a show. We would highly recommend checking this site out and becoming a member! It will help you locally as well as country-wide once you’re ready to take your act on the road! The benefits of this site are great examples of what you need in order to book shows.

Photo: Samuel Bendix  

Tales From the Road Part 2 (with tips)

The First Night of my First Tour

The first night of my first ever tour was in Burlington, VT. My band set out for our first show of a small week-long run around New England with all our gear in our Ford Escape. It was a great show in Burlington, we played late, made some friends, sold some merch, and the college town downtown was hopping. We loaded our gear back into the car and went back into the venue to watch the headlining performer. We locked the doors - from what we recall - and loaded everything safely into the vehicle around 12:30am. We finish watching the show and about an hour later we headed back to the car to find the door wide open and the inside lights on! Unfortunately, while unattended and while we were inside enjoying the show, someone found a way in the car. The intruder rummaged through our belongings and took my bass and my bass amp from our vehicle. I couldn’t believe it. The first night of my first tour, someone stole my bass. We notified police and the venue owner and we drove around town until the sun came up hoping to find it laying in someone’s yard or on the street. No luck, and we were beginning to feel delirious from being up for so long. We headed to the hotel and were trying to figure out how the rest of the tour was going to work without a bass. After a very long restless night I accepted that my bass was gone forever and we headed to Western MA for our next show. Thankfully a kind member of the first band let me borrow his gear and we were able to play our set. That night we were staying in Western MA (next day’s show was NYC) we were still trying to sort out what to do about the missing bass scenario. Unexpectedly after the show we got a call from the venue owner back in Burlington about a call they received from a mother reporting her son, who had stolen a bass and an amp from a band at the venue. The bartender answered this call and unfortunately did not get any info, so the call went untraceable. We knew it was our equipment the mother was reporting so we began to feel hopeful that we’d get it back! Early the next morning instead of heading to NYC we drove back to VT to see what we could do about the bass. No one called or knew how to retrace that mother’s phone call. We went and waited at the venue for a few hours but had to eventually leave to get to our show which was now about a five hour drive away. We left, again accepting we wouldn’t get the bass back, and headed for our show in NYC. We decided to do a stripped down version of the songs that night and had a great acoustic show on St. Mark’s St. There were only a handful of shows left - but we managed to do them all without a bass or by borrowing gracious bassists’ equipment at the shows. The kindness of strangers can sometimes come out of nowhere and mean so much!

Unexpectedly on the second to last day of tour we got another call from the venue in VT saying the bass and amp arrived safe and sound and would be driven to my house in MA by the end of the week. I really couldn’t believe it. I felt so grateful that somehow someone connected to the person who took the bass decided to do the right thing! Not only that but a performer who was playing that night while on tour was passing through my town the next day, and dropped it off for me to pick up the day I returned from tour. I went my whole first tour without my bass, or amp, but through the kindness of strangers, a little luck, and a miracle, it was all okay. Now at shows I am sure not to leave gear unattended, or in a car that I may or may not have locked! Lessons learned!

Tips:

- Keep an eye on your equipment at all times.

- Double check that you locked the car, hotel room door or anywhere else where equipment is left.

- Consider not loading all of your expensive gear into your car until you’re leaving the venue.

- Try to always be aware of your surroundings and if you’re in a place you don’t know.

- Travel as lightly as you can - the less you carry the less you have to misplace or worry about.

- There are great people in every town who are there to help. Don’t be afraid to ask for help.

- If there’s ever a scenario to help another band out with sharing backline do it! The kindness can go so far!

- If you can, always stay to see the headliner, even if it’s past your bedtime to support the whole show and other bands

- Support your bandmates on tour - you are a unit and should be there for one another through the thick and thin.

- Unexpected things can happen on the road, like anywhere, and sometimes you’re not prepared. Try to go with the flow if you can. Remember there is a solution for everything! There is always some type of work around!

Tales From the Road Part 1. (With Tips)

The first longest drive & journey on my first U.S. Tour 2005 (PT. 1)

I was on a tour with my band at the time and another L.A. band (there were about 10 of us in a 10 passager van) and we had to get from Olympia, Washington to Salt Lake City, Utah for a show the next night. It was just about midnight when we left Olympia and drove into the night. We had just played a house show in someone’s side-yard (pretty much adjacent to the street with no fence) and the cops were called because of the noise. I think the other band only got three songs into their set when it ended. I remember having a sore throat, a cough, and was very much not looking forward to driving nonstop until our next show but still extremely excited about being on tour. I spent half the night literally rolled up under a seat bench (so I could somehow try and stretch my legs out and sleep), wrapped in a hoodie with clothes around me, listening to my CD player with a record on repeat (over the big bumps it would skip). But as sick as I felt as we drove, there was an incredible feeling and experience I got from it and was able to share it with these people. There’s a feeling you can’t quite explain...a weird love/dislike. Almost a strange addiction that develops from being on the road and especially the moments of the feeling of being half asleep in a seat and waking up to the sunrise somewhere (it was Idaho)… Seeing nothing but a beaming sun hitting the window slowly coming up, the heat of summer slowly rising in the car, yellow grass fields for miles, the hum of the van radio and some people quietly talking in the front seats - either trying to keep the driver awake or just plain wired up on Coffee. From all of it there’s a kind of comfort and calm feeling.

By the time we got to SLC it was about 6pm and my throat glands were about the size of golf balls and this had been the most painful sore throat I had ever gotten. I had been slowly loosing my voice and ended up having to go straight to the hospital as soon as we got there so I could get medicine for it.

Unfortunately I had to cancel this show. To this date it marks the only show I’ve ever had to cancel for health reasons and aside from this show I have only ever cancelled one other show (that was agreed upon by a booker) to date.

(…To be continued)

Tips:

- Drive times, lining up dates, routing:

When planning a tour, if you’re first starting out, I’d suggest to try and route tour dates to not have to drive more than 6 hours on a show date.

Here’s why: depending on how many people you’re on tour with, you most likely went to bed after 1am and usually the latest check out time of a hotel or motel is about 11am or noon. Even if you're stay with friends, family or other bands lot of people have work the next morning...so odds is you'll need to get in the morning and leave enough time for everyone to get ready. By the time you get ready, stop for gas, grab coffee and food - an hour will go by. Then when you add the gas, bathroom and food stops (at least add another hour). Then add another hour if there’s traffic or a time change (of course there are exceptions!) but this brings you to 7 or 8pm which is a typical load-in time. Everyone has their own way of doing things and sometimes you make things work (the radio show at 10am, driving a few hours after your show to cut down on drive time). Planning ahead of around 6 hours drive time like this could be less stressful especially as you get into long tours, sleep will become very important as well as having enough time for everything with bigger groups of people.

Preparing for a live show

You’ve got your goals, you’ve found your band (or are flying solo), you have some songs, maybe you have some songs recorded (or in the works and ready to test the new material with a audience) and now wondering what is the next step. Live shows! Once you have your first show booked this is something you’ll really need to prepare for and some of these steps you’ll continue to use to prep for in the future as you continue to play more live shows.

So how does one go about bringing their material onto the stage and into these venues? How does one begin in a market, promote and start to make a name for themselves?

Let’s focus on the music and Preparing around that!First you have to make sure that what you’re bringing to the stage is a good representation of how you want to sound and how you want to be received by your audience.

Music: You’re going to want to rehearse with your band, going through all your songs one by one and making sure they sound good. Are all the instruments lining up? Is everyone singing in pitch? Are you getting the right tones out of your amps?

Tips:

- When rehearsing try breaking down the songs instrumentally or just vocals & harmonies or just bass & guitar. Any wrong notes or off parts will stand out! Also this will help tighten everything.

- Practice running the set, time it & make sure it works for the time slot allotted.

- Practice optional transitions into songs if you’re planning not to talk.

- Practice moving and try video taping you or your band rehearsing so you can see how you look.

Rehearse, Rehearse, Rehearse! Until it sounds good. If it doesn’t sound the way you want it to, then you’re probably not ready for the live show yet. You will know when this moment is!

Stage clothes: (*Refer to what we mentioned in our ‘Intro to Imaging’ entry). The biggest question should be image-wise, does my image / look and represent my music? Does it represent me? Or us? Wear something that sets you apart from the audience. Show that you’re IN the band. Be a unit! Or stand out as an artist. Be and look more than a person who plays on stage with jeans and a t-shirt. What inspires you? Have fun! You could even go to thrift / vintage stores with your bandmates and find some cool, cheap outfits together! Or maybe you have some friends who are clothing designers? Whatever it is - think about it and plan it out.

Tips: Look at magazines, old records, YouTube videos of your favorite artists, look at art! Anything to inspire image.

Banter on stage: Whether you’re a talkative artist or not, and even it if it’s not part of your image to say much, that is fine; but do at least acknowledge and say hello to the crowd and thank them for coming/being there. Your audience, the venue staff, bands, bookers etc., just like you, all took their time to come out and be there. If it’s a new market or new venue, know that your representing yourself and these people are taking their time to listen to you.

Tips:

Without being too rehearsed - so it doesn’t feel unnatural, think of some things to say to the crowd that you can fit between songs. Funny things that happened that day, brief stories behind the songs, ask the crowd how they’re doing, thank them for coming, tell them about the merch you have for sale, tell them about your next show, what you have in the works, thanking the other bands and the promoter who booked you, thanking the venue, be creative! (*Also you don’t have to talk after every song either - this will get tiresome for both you and the crowd. Find a natural flow and read the room!)

Product: You’re going to want to prepare to give your audience something to remember you by. They will want to take home something if they liked your performance. Before you play your show get some stickers made, buttons, wristbands, lighters, or even something small along these lines that are cheap to produce and cheap to sell with your name on it.

Tips:

- If you’re first starting out try a small run of t-shirts to see how they do! You can always print more. You can also try painting them yourself with a print screener or fabric paint.

- If you don’t have a recording finished yet, make sure all your social media sites are up so people can find you in the meantime and you’ll be able to tell them the url at the show.

- You could make a small home demo tape or even just one acoustic song single on a CD that you could give out or make into a free download to give to your new fans. You could also put a couple acoustic videos of songs up online and give out music business cards with your social media links and a link to the videos as well.

Website Tips & Social Media site suggestions:

- Facebook, YouTube, Instagram, SoundCloud, Squarespace (custom websites), Wix, GoDaddy & Register.com

- Merch & Duplicating Sites: Halfpriced Buttons, Sticker Guy, Hollywood Disc, CD Baby

Prep before show tips: Do all the guitars and pedals have charged batteries? Find out what the backline is at venue (do they already have a house drum kit or amps). Make sure to pack your tuner, extra strings, your capo, extra cables that you know work, and that your stage clothes are clean in time for the gig!

Before you step on stage for the first time Ask yourself these questions:

⁃ Are the songs sounding good and is our gear sounding good?

⁃ Have we rehearsed recently? Is the band all on the same page?

⁃ Do we have a setlist that is cohesive and flows nicely?

⁃ Are our instruments in working order and comfortable to play?

⁃Do we look like a band?

⁃ Do we have stage banter/things to say to the audience?

⁃ Do we have a thing or two that is cheap to sell or give away at our march table?

There’s nothing more magical than playing music live and sharing that with people - so put your heart into the process - you probably did when you wrote your first song! Also recall the first time you saw your favorite band or artist live. It was probably a night you’ll never forget - give YOUR crowd that same feeling!

Photo: Concretegrey  

Writing & preparing songs

Whether you have just started playing or you have been in bands for years and you’re starting a fresh project, writing strong and thoughtful material will always rise above all else.

Creativity comes in so many ways and at so many different times - lyric ideas can come while walking outside, while in the shower, while talking to people, while seeing live music, melodies can come while sitting in traffic, or doing things free-flowing. Great parts of songs can come to life from 20 minute jams with different players (Tip* be sure to record it and listen back later!), from poetry notebooks, after seeing an amazing inspiring movie or even after reading books & local news! Concepts, music and lyrics have endless possibilities and there are no rules regarding how they come to be. Most of the time ideas will likely come at very inconvenient times! Be sure to mark it down wherever you can, sing it to yourself in a voice memo or voicemail, use a notepad or text yourself. The idea might leave or be quickly be forgotten (we live in a very busy age!) so whatever it is write it down right away! It doesn’t matter if you’re punk, pop or a heavy metal band... Song material can come from literally anywhere. When you’re building your band or self as a solo artist, whether to prepare for playing shows or to record your first CD, you’re going to need some songs! And some great ones for that matter!

Writing Tips:

- What genre are you? Who are the successful bands or artists in your genre that inspire you? What makes their songs great? Try studying & taking note of their arrangement (i.e intro, verse, chorus etc) to get ideas as well as their approach lyrically (are they clear, do they tell a story, are the words simple or is more poetic or cryptic)

- It can be easier sometimes to start with a song title or even a message you’re trying to convey and branch off from there.

- What inspires you? Are there certain places around you that you know bring creativity or inspiration? Are there certain activities that you do that get that creative energy going or put your mind in a close-to meditative state? Be open to these places and actions and write down what you’re thinking about.

- When you’re first starting out you may want to consider writing some goals for yourself or together as a band so you have at least 6-10 songs to pick from to play your first show.

(Typically most live acts will get a time slot of 25 mins-45 mins to fill, so your material will need to cover this time. Also for acts that play loud full band shows you may want to consider having the ability & flexibility to play your songs acoustic / at lower volumes for particular shows or even for recordings - one acoustic for your record to show diversity or have a couple extra for marketing- like a free download or Alt version of a song *of course there are exceptions, for example - if you’re a metal band & that is not your direction). Additionally, you’ll want to include and prepare the time in between songs on stage for conversation and banter.

So how do you know which songs should stick? It’s hard to know sometimes before playing them out and before a crowd reacts.

Asking yourself these questions about each song might help start you in the right direction when making a set list:

Is this particular song one you always look forward to playing? The audience wants to hear songs that you enjoy yourself!

How relatable is the song? Does the melody of the song match it’s mood/lyrics? If it’s a sad song & a quiet moment in a bridge will people feel that? People will pay attention if it’s something they can relate to.

Will people be able to sing along, dance, or bob their head to the song?  Either way, whatever it’s about, mean it when you sing it! Play it 100% because people will feel it!

If the melody is catchy enough, most likely in a live setting the words won’t even matter and people will connect and move their head to the beat anyway!

Ultimately it’s not about pleasing your audience, but it’s about giving your audience an experience and music they’ll remember - We are all humans with feelings and that is how we relate. It’s about opening up, sharing your honest emotions, yourself and creations that you’re proud of with people who have opened their ears to it. For the Every crowd will react differently, and every room will have a different vibe. It is important to believe in each one of your songs genuinely so it’s not up to anyone else if it’s a hit or not. If you don’t believe in it, leave it out, more songs will come to you. Focus on the songs you believe in and make them really great. That way others will start to believe in them too.

(Photo by CJ Lucero)